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Sejong Music Competition Winners Concert Performance- required piece |
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Ganz Hall, Chicago Jan 13, 2008 |
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About the Composer:
In a 2002 article in the New Music Composition and Critics journal, Professor Young-Han Heo of the Korean National University of Arts wrote, “Dong-il Sheen is a composer who filled the huge void in our lives with a new style of creative music. He explored music style that was ignored by other composers and now firmly established his own style.” Mr. Sheen has been active in writing music in many different styles, including western European music, traditional Korean music, children’s music, film soundtracks, and musicals. He graduated Seoul National University and received his Master’s degree at the New York University Graduate School of Music. He worked as a reporter for the Cho-Sun Daily News in New York for a while before returning to Korea. Upon returning to Seoul, he collaborated with pianist Jung Hee Han in the album Blue Bicycle, which later received a critical acclaim. He started the new style music movement “Han-ma-dang” and “Music Composers-ma-dang.” In 2002, Mr. Sheen collaborated with writer-illustrator Jae-soo Liu in the CD-Book Yellow Umbrella, which was named as one of the 10 best illustrated books by the New York Times. His recent piano album World with Fun (2005) was republished by the Zen-On Music in Japan under the title World Full of Colors. Later, Japanese pianist Takako Takahashi made a CD of Mr. Sheen’s music in Japan. Mr. Sheen is a board member of the Association of Korean Musicians, President of the Composer’s Association (Jahk-gok-ma-dang), and Co-president of the Children’s Arts Production. Currently he is a lecturer at the Korean National University of Arts and Seoul National University Graduate School of Music. About the Music: Yang-San-Do for violin and piano – “Yang-San-Do” is a folk song from the Kyunggi Province. It originated during the late Chosun dynasty, sung by construction workers during the renovation of the Kyung Bok Palace in Seoul. Later on this tune was developed into a Sun Sori (folk song), sung with many variations of the verses. The rhythm of the song is in three beats. The main melody of this piece is played by violin while the piano plays only the accompaniment. This music begins with the unmodified Yang-San-Do tune to introduce the audience to the original folk tune. Then the violin melody expands to a new level as it explores the melodic variations of the theme while keeping the general, upbeat feeling of the Yang-San-Do tune.
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Hannah Selonick | |
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